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Francis Phelan and Helen Archer are bums, back in their birth city.She was a singer on the radio, he a major league pitcher.As in all great scripts, this libretto is open ended in a way that would afford a freedom of interpretation any actor would sign on for. Back in 1977, before Broadway singers were miked, she did Lillian Holiday in Happy End and was a knockout vocally. But a Parsifal movie would not require the vocal heft required to fill the 4,000 seat Met opera.In fact, one was surprised later when she chose to do non-musical roles. Moreover, computers do amazing things these days to add and subtract age.Supporting players Stockard Channing, Maureen Stapleton, Jeff Daniels and Kevin Spacey, while uniformly excellent, seem underutilized and distract from the main plot."Heartburn" is worth watching, if only for its strong cast, but it's as memorable as leftover lasagna.Continuing the story of Aurora Greenway in her latter years.
The Ephron character, Rachel is a food writer at a New York magazine who meets Washington columnist Mark at a wedding and ends up falling in love with him despite her reservations about marriage.Streep would have amazing growth potential in that second act.For here she needs to communicate infinite wisdom, dumbness, innocence, guilt, power and impotence simultaneously.In the third act she is without a single line or note to perform, and yet a central character transformed as much as Parsifal himself.I'm sure she could meet the challenge of performing in silence with impressive creativity.