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The truth is that Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, Balanchine ballets, et al, don't redeem what this particular civilization has wrought upon the world.The white race is the cancer of human history; it is the white race and it alone—its ideologies and inventions—which eradicates autonomous civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of life itself.After Iranian leader Ayatollah Khomeini issued a fatwa death sentence against writer Salman Rushdie for blasphemy after the publication of his novel The Satanic Verses that year, Sontag's uncompromising support of Rushdie was crucial in rallying American writers to his cause.A few years later, during the Siege of Sarajevo, Sontag gained attention for directing a production of Samuel Beckett's Waiting for Godot in a candlelit theatre in the Bosnian city.Modern critics of our culture who, like Susan Sontag, seem to know nothing of American history, who regard the white race as a "cancer" and assert that the United States was "founded on a genocide", may fantasize that the Indians fought according to the rules of the Geneva Convention.But in the tragic conflict of which they were to be the chief victims, they were capable of striking terrible blows.Sontag's cool self-exile was a disaster for the American women's movement.Only a woman of her prestige could have performed the necessary critique and debunking of the first instant-canon feminist screeds, such as those by Kate Millett or Sandra Gilbert and Susan Gubar, whose middlebrow mediocrity crippled women's studies from the start ...
"In teaching us a new visual code, photographs alter and enlarge our notion of what is worth looking at and what we have the right to observe" and has changed our "viewing ethics".
Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo.
She wrote extensively about photography, culture and media, AIDS and illness, human rights, and communism and leftist ideology. Oxford did not appeal to her, however, and she transferred after Michaelmas term of 1957 to the University of Paris (the Sorbonne).
In the Daily Telegraph, Kevin Myers called it "mesmerisingly precious and hideously self-indulgent." and wrote, "By my personal reckoning, the performance lasted as long as the siege itself."To the people of Sarajevo, Ms.
Sontag has become a symbol, interviewed frequently by the local newspapers and television, invited to speak at gatherings everywhere, asked for autographs on the street. "It is for your bravery, in coming here, living here, and working with us," he said.