Dating buildings using window style

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Much of the glass used at this time was originally imported from countries such as France and the modern area of Belgium, however by the early 1600s there was a number of glassmakers based in Ireland producing for the local market, many of whom had originally come from the Continent and brought their trade with them.

Fashionable new houses being built on Dublin’s Aungier Street and St.

This created a remarkably consistent ‘national architecture’ that lasted as late as the 1950s until modernist thinking firmly took hold and altered perceptions about how buildings should look.

Likewise, the availability of technology, such as new developments in glass-making, determined how windows were glazed in certain parts of the country compared with others, while local fondness for a particular type of detail resulted in delightful regional variations within the classical canon of window design.

Fashion and functionality also went hand-in-hand, ensuring that the reliable sliding sash was the dominant window type in Ireland for 200 years, with casements only making some headway by the late nineteenth-century as picturesque notions and international influences began to encourage change.

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Windows became taller and narrower in the classical manner, though in some cases, such as the new State Apartments in Dublin Castle or Lord Clancarty’s mansion on College Green, both built in the 1680s, mullions and transoms continued to be used.This architectural fashion is often thought of in terms of our major public buildings, but its influence was far-reaching, ensuring that for nearly three hundred years most of the buildings of Ireland’s villages, towns and cities, as well as its rural architecture, would conform to basic neo-Palladian principles of design.Symmetrically positioned windows, centrally placed doors, tall rectangular window opes, and elegantly designed window glazing that mirrored the proportions of the building, all became commonplace.Initially, some sashes were probably not counterbalanced with weights, but instead pegged, with timber or metal dowels manually inserted beneath a lifted sash to keep it open, while in other cases one of the two sashes was likely fixed in position.Glazing bars were also dramatically different in appearance, featuring chunky ovolo-shaped sections of up to two inches’ breadth, often detailed at the joints with a square block.

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